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Test of the Venery
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Needs More information on specifics of clues, hints and lockboxes, this guide was taken from T3, please update and make an Atlas page for locations and someone that is good with wiki, please feel free to change my horrible layout
The Test of the Venery challenges you to create a puzzle that can potentially cover a large portion of land. Veneries consist of a series of lockboxes scattered across the land, each containing a key that leads to another lockbox and a clue that will lead to this next lockbox. A simple venery will play as a single chain between lockboxes. More complex veneries can exist, that have multiple chains going on at once.
Principles
- Make an Eyelet cut Amethyst (Optional)
- Make an Eyelet cut Lapis (Optional)
- Make an Eyelet cut Turquoise (Optional)
- Make an Eyelet cut Garnet (Optional)
- Make a #Simple Lockbox
- Make Papyrus Paper
- Build a Venery Gathering Point
- Install at least 7 Lockboxes
- Open your Venery
- Tear down your Venery Gathering point OR
- Have 7 judges run and rate your Venery
- Design rated Good by most judges
- All of the above OR complete three recent winning veneries
Demonstrate the Principle
- 49 Gold Wire
- 49 Small Gears
- 98 Fine Glass Rods
- 98 Copper
- 49 Eyelet cut Amethyst
- 49 Eyelet cut Garnet
- 49 Eyelet cut Lapis
- 49 Eyelet cut Turquoise
Construction
A Venery consists of a Venery Gathering Point and at least 7 lockboxes placed around the land.
Venery Gathering Point
Built in a Small Construction Site (1 Canvas, 4 Rope).
- 100 Boards
- 250 Papyrus Paper
Simple Lockbox
Made in a Forge (2 minutes to cool)
- 1 Gold Wire
- 2 Small Gears
- 1 Fine Glass Rod
- 1 Copper
- 1 Cut Amethyst:Eyelet
- 1 Cut Lapis:Eyelet
- 1 Cut Turquoise:Eyelet
- 1 Cut Garnet:Eyelet
Designing a Venery
- Hints are on the "exterior" of the lockbox, and will appear if, and only if, the lock box requires a key and the player does not yet have that key.
- Clues are on the "inside" of the lockbox, and will appear if no key is required, or once the player has all of the required keys.
Puzzles like the Venery are subjective: what one person finds challenging and fun, another might find infuriating. You can't please all of the players all of the time, but there are a few tips you can follow to make your puzzle as entertaining as possible.
Every Venery Tells A Story A venery should be more than just a random series of locations and objects. It should tell a story, with each location revealing a little more of the tale. It adds depth to your puzzle, and gives the player additional motivation to keep playing.
You don't need to write a novel: just decide on a simple storyline, and let that guide the development of a puzzle. Is the player trying to find a lost camel? Is he on the trail of the man who stole his gem collection? Is she following a map to some elusive treasure? Are they touring exciting landmarks across the face of Egypt?
You decide!
Location, Location, Location! When selecting objects for your lockbox locations, try to choose distinctive sites. Unique landmarks such as a particular sculpture, or the only deep well for 200 coords would be excellent choices. One single apiary in a field of 4 dozen would be an awful choice.
Once your player finds your lockbox location, there should be no doubt in their mind that this is the place!
This doesn't mean that you can't use common, everyday objects in your puzzles. It just means that you'll have to be careful to guide the player to the target you've chosen, rather than having them run willy-nilly across Egypt.
Clues Blues No matter what form your venery takes, the clues you write will make or break your puzzle. The trick to writing good clues is to give the player just enough information to figure out the target, without telling them the answer. Designing good clues is a puzzle of its own!
Here are some ideas to get you started.
Hint, but don't tell. Rather than telling the player to simply "go east", find a way to subtly guide them in that direction. The sun rises in the east, so you could tell the player to "journey in the direction of the rising sun". Nowhere do you say the word "east", but the clever player will figure it out. (The less clever players will ask for help.)
Be colorful. Let's say that, in your venery's story, you tell the tale of the Lost Queen Pleocatra, and have the players follow her wanderings through the desert. Why not wrap your hints into the story? "Pleocatra grew thirsty. After a moment's wandering to the north, she found a lone Royal Cactus, and judging that it must be fit for one of her royal upbringing, she drank the sap straight from the trunk."
In this paragraph, you've given the player clear directions to "go north a short distance until you find a single Royal Cactus", and you've furthered the tale of your venery, all in one shot.
Feel free to add colorful details to your clues: the venery is as much story as it is puzzle.
Play with the puzzle. You can have fun with your clues by rhyming, telling riddles, even inserting puzzles of your own in the venery clues. The more unusual your venery, the more people will be drawn to it, and the higher a rating you are likely to receive. Don't be afraid to bend the rules and try new things!
How about a venery done entirely in song lyrics?
Sweet desert rose This memory of Eden haunts us all This desert flower This rare perfume, is the sweet intoxication of her love (with the next lockbox on a nearby sea lily)
...Or a venery that uses word games?
You'll find your next clue in the public works compound. All you have to do is take out the trash: BTORAXKISLHN (remove the letters T-R-A-S-H from the above, and you're left with "box kiln")
...Or a venery where all the lockboxes are attached to players? Let the manhunt begin!
Now that you've got some ideas to play with, let's see some top notch veneries!
Taken from T3, and modified a bit
Venery Locations
- Green for recognized (passed) puzzles (use "Gr" prefix on pin)
- Red for unrecognized (unpassed) puzzles (use "Rd" prefix on pin)
| Region | Coordinates | Designer | Passed | Title | Remarks | About |
|---|---|---|---|---|---|---|
| Falcon's Bay | 4295, -614 | Nissim | No | Science-Fiction at Falcon's Bay | in English et aussi en Francais | On the road just North from the cs |
| Falcon's Bay | 4299, -1174 | Jacen | Yes | How I get maried | in French and soon in English | North of UThought |
| Saqqarah | 783, -756 | Fryoj | No | Saqqarah Uni-Run Venery/FAQ | East of CS(by Essence of Harmony) | |
| Shabbat Ab | 1376, 1725 | Ping | No | Felix and the Fatestone II: Electric Boogaloo | Just south of the CS (along the road) | |
| Shabbat Ab | 1471, 1996 | McArine | No | A course in matn. | Close to UArch | |
| Nomads Paradise | -1533, 2519 | Voyna | No | A tale begins (Une histoire commence) | Across road from S Thouhgt | |
| Meroe | 809, -3651 | Katezinha | No | The Scatterbrained Oracle | Just West of CS | |
| Meroe | 834, -3630 | Elfus | No | Marr the Vampire | Just between 2 beetle sculptures, near the breezeaway | Basic, short story, easy venery |
| Queen's Retreat | 594, -6151 | Dreasimy | No | The PATH-OPENER, Keeper of the Names | Just north of the CS, across the road, in front of the Mentor Shrine in front of the Breezeway | 15 - 30 minutes, 230 coord max travel from start |
| Meroe | 839, -3638 | Malard | Yes | Path of Discovery | A short journey around the landmarks of Meroe | Next to Essence of Harmony and 7 Cubit Obelisk |
| Adn | 1034 6977 | hilly | No | Hilly's Families move | English | North of CS but close
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